Education Universe Argument Writing, College writing, Uncategorized

The Rhetoric of Change: Malala Yousafzai’s Persuasive Power Across Two Texts

Malala Yousafzai is a powerful voice in the fight for education and justice. Her rhetorical strategies change depending on her audience and purpose. In her Nobel Peace Prize Lecture, she uses distinct rhetorical moves for that audience. In her children’s book Malala’s Magic Pencil, she uses different rhetorical techniques to reach young readers. By shifting her language and tone, Malala adapts her message without losing her core values.

We need to look closely at the specific rhetorical strategies she uses in each text. This helps us understand how her language works. We should examine how she frames her story and builds trust. Additionally, consider how she uses emotional appeal and points toward action. These aren’t random stylistic choices; they’re deliberate tools to shape how her audience thinks, feels, and responds.

CLAIM: Framing Personal Story as a Universal Call — Narrative as Rhetorical Strategy

In both texts, Malala uses narrative as a rhetorical move—but she frames the story differently depending on her audience. In Malala’s Magic Pencil, she uses a personal narrative. It is imaginative. She gently guides young readers into serious topics like inequality. She also addresses violence. In the Nobel Lecture, she uses a testimony-style narrative to assert her authority and build urgency around global education.

EVIDENCE: Paired Quotes

From Malala’s Magic Pencil:
“Every night before I went to bed, I wished for a magic pencil. I would use it to put a lock on my door so my brothers couldn’t bother me.”

From the Nobel Lecture:
“I had two options; one was to remain silent and wait to be killed. The second was to speak up and then be killed.”

ANALYSIS: Shifting the Emotional Temperature

In Malala’s Magic Pencil, Malala opens with a light, relatable image of childhood—using a pencil for playful, everyday wishes. This language builds trust with young readers. She’s not just a girl from Pakistan; she’s a kid like them. She eases into bigger ideas by first grounding the story in innocent imagination.

This rhetorical move softens the entry point for young readers. It lowers the emotional temperature and makes the topic of injustice feel approachable, not overwhelming. That’s key in children’s literature—the goal is to plant ideas, not trigger distress.

In contrast, the quote from the Nobel Lecture throws the reader directly into a life-or-death choice. There’s no softening, no playfulness. The stakes are made brutally clear, and the emotion is intense. This is deliberate. Malala’s audience in Oslo isn’t children—it’s world leaders, policymakers, and adults with power. The rhetorical effect here is not to comfort but to confront. Her sharp language forces the listener to feel the urgency of the situation.

By framing her story differently, Malala activates different emotional responses: empathy in one, moral responsibility in the other.

CONNECTION: Audience, Genre, and Purpose

The contrasting tone and rhetorical moves are closely tied to the genre and audience of each work. Malala’s Magic Pencil is a children’s picture book. Its purpose is educational but gentle: introduce children to activism through metaphor and story. The magic pencil becomes a symbol of hope, imagination, and eventually action. The audience is young, possibly reading with a parent or teacher. That context demands warmth and accessibility.

The Nobel Lecture, on the other hand, is formal, public, and political. The purpose is direct persuasion—convincing world leaders to take action on education and human rights. The audience expects credibility, seriousness, and a call to action. So Malala shifts gears. She speaks not as a storyteller, but as a survivor and advocate. Her words are chosen to leave no room for passivity.

In both cases, she’s telling her story—but how she tells it is shaped by who’s listening.

CLAIM: Repetition as Emphasis — Strategic Reinforcement of Core Values

Another rhetorical move Malala uses in both texts is repetition, but again, the effect is tailored to context. In Malala’s Magic Pencil, repetition creates rhythm and emphasis, suited for a read-aloud experience. In the Nobel Lecture, repetition is used to drive home the urgency and scale of the problem.

EVIDENCE: Paired Quotes

From Malala’s Magic Pencil:
“I would erase the smell of garbage from my city. I would erase war, poverty, hunger.”

From the Nobel Lecture:
“One child, one teacher, one book and one pen can change the world.”

ANALYSIS: Rhythm with a Purpose

In the picture book, Malala uses repetition with a poetic touch. “I would erase…” becomes a mantra of hope. Each repetition expands the reach of her imagination. First, it’s about her city. Then it’s the world. The effect is uplifting—it suggests that even a small dream can grow into something bigger. For children, this pattern is easy to follow, and it keeps them engaged.

In the Nobel speech, repetition functions as a rallying cry. “One child, one teacher, one book, one pen…” It’s not just rhythmic—it’s memorable. Each part builds on the last to emphasize simplicity and possibility. The effect is assertive and empowering. Malala is reducing a massive global issue—education inequality—down to its most basic, human components. And she’s calling the audience to believe in the power of those components.

Repetition here is more than a literary device. It’s a strategic way to make her message stick—and to move people from agreement to action.

CONNECTION: Function of Form

Genre matters. In Malala’s Magic Pencil, the repetition feels like a dream sequence—an invitation to imagine. That fits the genre of children’s literature, where message and magic often go hand-in-hand. In the Nobel Lecture, the repetition works more like a slogan. It’s meant to be quoted, remembered, and repeated—ideal for a speech with global reach.

Both use the same rhetorical move, but with different rhythms and emotional effects. In the book, it’s quiet hope. In the speech, it’s determined belief.

CLAIM: Use of Contrast — Highlighting Injustice Through Juxtaposition

Malala also relies heavily on contrast—placing opposing ideas side by side to expose injustice. This move is present in both texts but again operates at different levels.

EVIDENCE: Paired Quotes

From Malala’s Magic Pencil:
“But my wishes changed. I wished for peace. I wished for war to end.”

From the Nobel Lecture:
“Why is it that countries which we call strong are so powerful in creating wars but so weak in bringing peace?”

ANALYSIS: From Personal Shift to Global Challenge

In the children’s book, the contrast is internal. Malala shows how her own wishes changed over time—from playful to profound. This transition reflects emotional maturity and introduces the idea that even children can grow to care about justice. The contrast is gentle—it teaches reflection.

In the lecture, contrast is used to challenge hypocrisy. She calls out global powers for their misplaced priorities. The rhetorical effect is sharper, more confrontational. She’s not reflecting here; she’s holding systems accountable.

Again, both use contrast, but one turns inward to inspire change, while the other looks outward to demand it.

CONCLUSION: Language with Purpose

Malala Yousafzai’s rhetoric is powerful for many reasons. It is not just the story she tells. It is how she adapts her language to fit her audience, genre, and purpose. In Malala’s Magic Pencil, she uses imagination, repetition, and gentle contrast to spark awareness in young readers. In her Nobel Peace Prize Lecture, she uses personal testimony. She employs urgent repetition and bold contrast. These techniques push for action on a global scale.

At the heart of both is the same message: education matters, and everyone has a role to play. But the way that message is delivered changes depending on who needs to hear it. That’s what makes her rhetoric not just moving—but effective.

Related Article: More Than Words: How Malala Yousafzai Uses Constitutive Rhetoric to Shape Global Identity

Works Cited

Yousafzai, Malala. Malala’s Magic Pencil. Illustrated by Kerascoët, Little, Brown and Company, 2017. https://youtu.be/HMsmlxmOK18?si=zhdzrkw0j1x8K5o9

Yousafzai, Malala. “Nobel Peace Prize Lecture.” NobelPrize.org, 10 Dec. 2014, https://www.nobelprize.org/prizes/peace/2014/yousafzai/lecture/.

Education Universe Literature, Uncategorized

Understanding Literature: Its Importance and Genres

What Is Literature?

At its core, literature is written or spoken work that uses language in a creative, intentional way to express ideas, tell stories, or explore the human experience. It’s more than just words on a page — it’s the art of communication through storytelling, reflection, and style.

Some people think of literature as “old books you read in school,” but that’s only part of the picture. Yes, Shakespeare and Jane Austen count, but so do modern novels, poetry slams, plays, and even certain forms of nonfiction. Literature can be ancient, contemporary, oral, or written. It can be long and complex or short and powerful.

One simple way to think about it: Literature is language crafted with purpose — whether that purpose is to entertain, teach, inspire, persuade, or provoke thought.

Why Literature Is Important

Literature matters for a lot of reasons — personal, cultural, and educational.

1. It Preserves Human History and Culture

Before we had video, photography, or digital archives, literature was one of the main ways people recorded their stories and traditions. Ancient epics like The Iliad or The Epic of Gilgamesh tell us how people thought, what they valued, and how they explained the world.

2. It Helps Us Understand Ourselves and Others

Reading about different characters, time periods, or cultures builds empathy. When you step into the shoes of someone from another time or place, you start to see the world in a new way. Literature can be a mirror — showing us our own lives — and a window — letting us look into others’ experiences.

3. It Develops Critical Thinking

Literature often contains layers of meaning. A story might be enjoyable on the surface, but beneath that surface there may be symbolism, social commentary, or philosophical ideas. Learning to read between the lines sharpens our analytical skills.

4. It Expands Language and Creativity

The more we read, the more we’re exposed to new words, rhythms, and ideas. This doesn’t just make us better writers — it makes us better communicators in everyday life.

5. It Inspires Change

Throughout history, literature has been used to challenge injustice, spark revolutions, and shift public opinion. From Uncle Tom’s Cabin fueling anti-slavery sentiment in the U.S. to George Orwell’s 1984 warning about government control, words can be powerful agents of change.

Major Types of Literature

Scholars often divide literature into broad categories (genres) to help us study and understand it better. While there are many subgenres, here are the main ones you’ll encounter:

1. Fiction

Definition: Imagined stories created by an author, though they may be inspired by real events or people.
Purpose: To entertain, explore ideas, or reflect human experiences.
Examples:

  • Novels – long works with complex characters and plots. (Pride and Prejudice by Jane Austen, Things Fall Apart by Chinua Achebe)
  • Short Stories – concise narratives often focused on a single theme or event. (The Lottery by Shirley Jackson, The Necklace by Guy de Maupassant)
  • Novellas – shorter than novels but longer than short stories. (Of Mice and Men by John Steinbeck)

2. Nonfiction

Definition: Writing based on facts, real events, and actual people.
Purpose: To inform, persuade, or record history.
Examples:

  • Biographies & Autobiographies – life stories of real people (The Diary of Anne Frank by Anne Frank, Long Walk to Freedom by Nelson Mandela)
  • Essays – short works on a specific topic (A Modest Proposal by Jonathan Swift, though satirical)
  • Memoirs – personal reflections (Educated by Tara Westover)

3. Poetry

Definition: Writing that expresses ideas and emotions through rhythm, imagery, and often condensed language.
Purpose: To evoke feelings and provoke thought through the artful arrangement of words.
Examples:

  • Sonnets – 14-line poems with structured rhyme schemes (Shakespeare’s sonnets)
  • Free Verse – poetry without strict patterns (Walt Whitman’s Leaves of Grass)
  • Haiku – short, Japanese form with 17 syllables (Matsuo Bashō)

4. Drama

Definition: Literature written to be performed by actors on a stage or screen.
Purpose: To tell a story through dialogue and action.
Examples:

  • Tragedy – serious themes, often ending sadly (Hamlet by William Shakespeare)
  • Comedy – humorous situations and happy endings (A Midsummer Night’s Dream by Shakespeare)
  • Modern Plays – realistic or experimental (A Raisin in the Sun by Lorraine Hansberry)

5. Folklore

Definition: Stories, customs, and beliefs passed down orally through generations.
Purpose: To preserve cultural identity and values.
Examples:

  • Myths – traditional stories explaining origins (Norse mythology, Greek myths)
  • Legends – stories based on historical figures but with exaggerated details (King Arthur)
  • Fairy Tales – magical stories often for children (Cinderella, Hansel and Gretel)

6. Hybrid and Emerging Forms

In the modern age, literature has expanded into formats like:

  • Graphic Novels (Persepolis by Marjane Satrapi)
  • Spoken Word Poetry
  • Digital Literature – interactive storytelling online

How to Approach Literature as a Student

  1. Read Actively – Take notes, highlight themes, and ask questions as you go.
  2. Consider Context – Think about when and where the work was written and what was happening in society at the time.
  3. Look for Themes – Identify recurring ideas like love, identity, freedom, or morality.
  4. Engage in Discussion – Talking about literature helps deepen understanding.
  5. Reflect Personally – Ask how the work relates to your own life and beliefs.

Literature is more than an academic subject — it’s a living, breathing conversation between people across time and space. Whether you’re reading a centuries-old epic or a modern short story, you’re stepping into the thoughts and emotions of another human being. That’s powerful.

When you understand what literature is, why it matters, and how it’s categorized, you start to see it everywhere — in books, in speeches, in songs, and even in the way we share stories with each other. Once you see it, you can’t unsee it — you become part of the story yourself.

Sources:

Abrams, M.H., & Harpham, G.G. (2015). A Glossary of Literary Terms. Cengage Learning.

Eagleton, T. (2008). Literary Theory: An Introduction. University of Minnesota Press.

Harmon, W., & Holman, C.H. (2016). A Handbook to Literature. Pearson.

Education Universe College writing, Literature, Uncategorized

Literary Terms Every College Student Should Know

If you’re taking an introductory literature course, you’ll quickly realize that understanding literary terms is essential for analyzing and discussing texts. These terms act as tools, helping you dissect stories, poems, plays, and other works of art in a structured and meaningful way. To make the learning process easier, I’ve compiled a list of key literary terms along with definitions and examples. Let’s dive in, one term at a time, and make sense of it all together.

1. Plot

Definition: The sequence of events that make up a story. The plot typically includes the exposition, rising action, climax, falling action, and resolution.
Example: In Romeo and Juliet, the plot begins with the introduction of the Montague and Capulet feud (exposition), progresses through the lovers’ secret marriage (rising action), reaches a peak with Mercutio and Tybalt’s deaths (climax), and concludes with the tragic deaths of Romeo and Juliet (resolution).

Why it matters: The plot is the backbone of any story. When analyzing a work, try to identify key moments in each section to understand how the narrative flows.

2. Theme

Definition: The central idea, message, or underlying meaning of a literary work.
Example: In To Kill a Mockingbird, one theme is the importance of empathy and understanding others, captured by Atticus Finch’s advice: “You never really understand a person until you consider things from his point of view.”

Themes are like the heart of the story—they tell us what the author wants us to take away from the narrative.

3. Symbolism

Definition: When an object, person, or event represents a deeper meaning or concept beyond its literal significance.
Example: In F. Scott Fitzgerald’s The Great Gatsby, the green light at the end of Daisy’s dock symbolizes Gatsby’s hopes and dreams, as well as the elusive nature of the American Dream.

Symbols are everywhere in literature. Pay attention to recurring objects or images—they often carry symbolic weight.

4. Tone

Definition: The author’s attitude toward the subject or audience, conveyed through their word choice and writing style.
Example: In George Orwell’s 1984, the tone is bleak and oppressive, reflecting the grim nature of a dystopian society under constant surveillance.

To identify tone, ask yourself: “How does this feel?” Is it playful, serious, somber, or sarcastic? The tone shapes how we perceive a work.

5. Mood

Definition: The emotional atmosphere or feeling that a literary work evokes in the reader.
Example: In Edgar Allan Poe’s “The Tell-Tale Heart,” the mood is tense and unsettling, heightened by the narrator’s erratic behavior and obsession with the old man’s eye.

While tone reflects the author’s attitude, mood is all about the reader’s experience.

6. Characterization

Definition: The process by which an author develops characters, making them realistic and relatable. This can be direct (explicitly stating traits) or indirect (revealing traits through actions, dialogue, or thoughts).
Example: In Pride and Prejudice, Jane Austen directly describes Mr. Darcy as proud and aloof, but his actions—like secretly helping Elizabeth’s family—reveal his kindness and integrity.

When analyzing characters, look for both direct and indirect clues to understand their personalities and growth.

7. Conflict

Definition: The struggle between opposing forces in a story. Conflicts can be internal (within a character) or external (between a character and an outside force).
Example: In The Hunger Games, Katniss faces an external conflict against the Capitol’s oppressive system and an internal conflict as she grapples with the moral implications of killing others to survive.

Conflict drives the plot and keeps readers engaged. Without it, there’s no story!

8. Point of View (POV)

Definition: The perspective from which a story is told. Common points of view include:

  • First Person: Told from the “I” perspective. Example: The Catcher in the Rye by J.D. Salinger.
  • Third Person Limited: The narrator knows the thoughts of one character. Example: Harry Potter series by J.K. Rowling.
  • Third Person Omniscient: The narrator knows the thoughts of all characters. Example: War and Peace by Leo Tolstoy.

Understanding POV helps you analyze how the narrator shapes the story and influences the reader’s understanding.

9. Foreshadowing

Definition: Hints or clues that suggest events that will happen later in the story.
Example: In Of Mice and Men, the shooting of Candy’s dog foreshadows the tragic ending when George shoots Lennie.

Foreshadowing builds anticipation and creates a sense of inevitability.

10. Irony

Definition: A contrast between expectations and reality. There are three main types:

  • Situational Irony: When the opposite of what’s expected happens. Example: In The Gift of the Magi, a couple sells their most prized possessions to buy gifts for each other, only to render the gifts useless.
  • Dramatic Irony: When the audience knows something the characters don’t. Example: In Romeo and Juliet, we know Juliet isn’t truly dead, but Romeo doesn’t.
  • Verbal Irony: When someone says the opposite of what they mean (often sarcastically). Example: Saying, “Great weather we’re having!” during a storm.

Irony adds layers of meaning and often surprises readers.

11. Allusion

Definition: A reference to a person, place, event, or work of art, often indirect but meaningful.
Example: In The Waste Land by T.S. Eliot, there are numerous allusions to classical literature, mythology, and religious texts, deepening the poem’s complexity.

Allusions require some background knowledge, so don’t hesitate to look up references in a text.

12. Imagery

Definition: Descriptive language that appeals to the senses (sight, sound, smell, taste, touch).
Example: In William Wordsworth’s “I Wandered Lonely as a Cloud,” the imagery of “a host of golden daffodils” swaying in the breeze evokes a serene and vivid scene.

Imagery helps readers visualize and emotionally connect to the work.

13. Metaphor

Definition: A figure of speech that compares two unlike things without using “like” or “as.”
Example: In Shakespeare’s As You Like It, “All the world’s a stage” compares life to a play, where everyone has roles to play.

Metaphors are powerful tools for uncovering deeper meanings in texts.

14. Simile

Definition: A figure of speech that compares two unlike things using “like” or “as.”
Example: “Her smile was as bright as the sun.”

Similes are like metaphors’ cousin—they make comparisons but are more explicit.

15. Allegory

Definition: A story, poem, or work of art that has a hidden meaning, often moral, political, or religious.
Example: George Orwell’s Animal Farm is an allegory for the Russian Revolution and the rise of totalitarianism.

Allegories are rich with layers of meaning, making them great for deeper analysis.

16. Hyperbole

Definition: An exaggerated statement not meant to be taken literally.
Example: “I’ve told you a million times!”

Hyperbole adds emphasis and can create humor or drama in a work.

Final Thoughts

Literary terms are your toolkit for diving into the world of literature. They help you break down complex works into manageable pieces and articulate your thoughts clearly. When in doubt, practice identifying these terms in your readings and think about how they shape the story or message.

Remember, literature is not just about analyzing—it’s about connecting with stories, characters, and ideas. These terms are here to help you do just that. Good luck, and enjoy the journey!

Sources:

Baldick, Chris. The Oxford Dictionary of Literary Terms. 4th ed., Oxford University Press, 2015.

Kennedy, X. J., et al. Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 13th ed., Pearson, 2016.

Harmon, William, and Hugh Holman. A Handbook to Literature. 12th ed., Pearson, 2012.

Murfin, Ross, and Supryia M. Ray. The Bedford Glossary of Critical and Literary Terms. 4th ed., Bedford/St. Martin’s, 2018.

Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 3rd ed., Routledge, 2015.

Education Universe Uncategorized

Mastering Chapter Readings: Essential Tips for College Students

Reading chapters for college courses can sometimes feel like a daunting task, but with the right strategies, you can turn it into a productive and even enjoyable activity. Here are some effective reading tips to help you get the most out of your chapter readings and improve your overall comprehension and retention.

Know Your Purpose for Reading

    Before you dive into a chapter, it’s crucial to understand why you’re reading it. Are you looking for specific information for an assignment? Preparing for a class discussion? Studying for an exam? Knowing your purpose will help you focus on the most relevant sections and avoid getting bogged down by unnecessary details.

    Skim to Review Material

      Start by skimming the chapter to get a sense of the main topics and structure. Look at headings, subheadings, bold or italicized terms, and any summaries or questions at the end. This preliminary scan provides a roadmap of the chapter, helping you to identify key areas to focus on during your detailed reading.

      Take Notes or Highlight

        Active reading involves engaging with the text. Take notes or highlight important points as you go along. This not only keeps you attentive but also makes it easier to review later. Use different colors for different types of information, such as definitions, examples, and key concepts, to create a visual hierarchy.

        Restate the Key Points Yourself

          After reading a section, pause and restate the key points in your own words. This practice helps reinforce your understanding and memory. If you can explain the material to someone else or even just to yourself, it indicates that you’ve truly grasped the content.

          Check Your Understanding and Reread if Needed

            Periodically, check your understanding of what you’ve read. Ask yourself questions about the material and see if you can answer them. If something isn’t clear, don’t hesitate to reread the section. Revisiting complex parts can provide clarity and ensure you don’t miss essential information.

            Think of an Example of a Key Point You Encounter

              Relating abstract concepts to concrete examples can make them easier to understand and remember. As you read, try to think of examples that illustrate key points. These could be real-life applications, hypothetical scenarios, or analogies that make the material more relatable and comprehensible.

              Picture What You Read

                Visualizing the information can be a powerful tool for understanding and retention. Create mental images of the concepts, processes, or events described in the text. Some students find it helpful to draw diagrams, charts, or mind maps that represent the material visually.

                Additional Tips

                Set a Reading Schedule

                Break your reading into manageable chunks and set a schedule. Instead of trying to read an entire chapter in one sitting, spread it out over several sessions. This approach prevents burnout and allows for better absorption of the material.

                Discuss with Peers

                Talking about the material with classmates can provide new insights and reinforce your learning. Join or form a study group where you can discuss readings, ask questions, and explain concepts to each other.

                Use Supplemental Resources

                Don’t hesitate to use additional resources to aid your understanding. Online summaries, academic articles, videos, and even discussions with your professors can provide different perspectives and clarify difficult points.

                Practice Active Recall

                After finishing your reading, close the book and try to recall as much information as possible without looking at your notes. This active recall practice strengthens your memory and helps identify areas that need more review.

                Conclusion

                Mastering chapter readings involves a combination of strategic preparation, active engagement, and continuous review. By knowing your purpose, skimming the material, taking notes, restating key points, checking your understanding, thinking of examples, and visualizing concepts, you can enhance your reading efficiency and academic performance. Incorporate these tips into your study routine, and you’ll find that tackling chapter readings becomes a much more manageable and rewarding task. Happy reading!